:: IN THIS WEEKS ISSUE ::
OCTOBER 30 - NOVEMBER 5, 2003 :: ISSUE 11 VOLUME 46

NEWS
Globalization lecture attracts many
by Ashley Martin
(read)

Hilary Horan will be remembered:
Vice President of Student Affairs’ term almost done
by Steven Kiser
(read)

Graduate runs across country to raise scholarship money
by Ginny Collins
(read)

ARTS
So Not Over
Gordie Johnson on Big Sugars end and the changing music industry
by Dave Gassner
(read)

Death By Stereo loves Regina shows
by Jennifer Semesock
(read)

The Texas Chainsaw Massacre is a scary remake
by Steven Kiser
(read)

The Dears know how to thrill an audience
by Kent Farago
(read)

Why I am pissed off
by Dan MacRae
(read)

Devin Townsend
Hard work, heavy metal and puppets?
by assie Ozog
(read)

Play will be “visually stimulating”
by Matt Barton
(read)

FEATURE
Regina's most famous haunts
by Ashley Martin
(read)

SPORTS
Women’s soccer team ends season with confidence in loss
by Chris Jaster
(read)

Gold medal for sale
by Jason McKenzie
(read)

Cougars win home and home series versus UBC
by Alexis Vanbuskirk
(read)

Adam Hunter: announcer extrordinaire
by Chris Tessmer
(read)

Cougars swim team starts new season
by Jason McKenzie
(read)

OPINIONS
Mental damage for Joe Schmo
Editorial
by Kent Farago
(read)

Biting the Hand That Feeds
Commentary
by Justin Ludwig
(read)

How to be punk rock: For beginners
by Cassie Ozog
(read)

Sex and the Single Girl
Getting over the past
by Rachel Welychka
(read)

Waygook in Korea
AA meetings done with style
by Corry Day
(read)

Sticks, stones and grown men crying
by Steven Kiser
(read)

Loud and Proud
Homosexuality and the Bible

by Tim Smith
(read)

Income tax distortions
The Sask Party policy
by Jeff Quinn
(read)

What the hell is this guy talking about?
by Nathan Lane
(read)



Play will be “visually stimulating”
by Matt Barton
The Carillon

Eugene Wilk is the costume designer for the winter production Les Liasons Dangereuses at the University of Regina. Finishing up his degree in theatre design, Wilk is the creative spark behind the provocative and erotic costumes of Liasons.

“We didn’t want to reproduce a stuffy period piece,” explains Wilk. The costume designer’s choices easily influence the audience’s perception of actors on stage. The costumes in Liasons have a see-through quality. “[The play] is very sexual, filled with lies and deceit. We wanted the costumes to reflect that.”

Depending on the direction of the light the clothes become transparent. “The transparency of the clothing reveals the truth, which is the body. Their clothing is their mask.”

The plays subtext had alot to do with the choice of colours. The characters are beautiful aristocrats who are rotten on the inside. “I wanted the colours to be like a winter sunset. Cold, harsh, but beautiful all at the same time.” Wilk explores the concept further when he says, “Look at the corset. It’s horrid to the wearer, but visually it’s attractive. There is beauty in cruelty.”

Eugene convocates at the end of this semester. His work on Liasons is his practicum. He does not fail to acknowledge the work of others around him. He is very humble. “I’m the artist, but Cathy Mearns makes it happen. As a collective whole, the acting students are very supportive. We’re like a family. There are alot of people involved in costume creation.”

The play itself “is going to be visually stimulating. It has everything a modern audience want: swords, sex and debauchery. I think people will want to talk about it. We’ve all been hurt, played for a fool, been in love. I can identify with it and I’m a pretty average person,” says the designer.

As he finishes university, Wilk looks back upon his time spent at the University of Regina fondly. “The U of R has been good to me. The program offers the practical experience and the paperwork side.” He grins when asked about the life of a fine arts major. “The arts is never a stable life. It isn’t a nine to five job. I’m confident if you have talent it can open the door. You just have to have passion an drive for what you do.”

The play runs from November 19-23 at the Shu-box theatre.