:: IN THIS WEEKS ISSUE ::
NOVEMBER 27 - DECEMBER 03, 2003 :: ISSUE 14 VOLUME 46

NEWS
Fit for 2005: Can Saskatchewan do it?
by Ashley Martin
(read)

Sixth Again
by Steven Kiser
(read)

“Flat Out” fun at Regina’s Grey Cup
by Ashley Martin
(read)

Aboriginal education needs change: academic
by Ginny Collins
(read)

‘Tis the season of giving
by Steven Kiser
(read)

Why is there a difference in pain tolerance between the old and young?
by Jason Antonio
(read)

Construction for the deepening of Wascana Lake soon to begin
by Holly McKenzie
(read)

ARTS
Nashville Pussy
Raunchy band remembers its roots
by Mike Mowbray
(read)

Local art exhibit serves dual purpose
by Rhonda Sieben
(read)

Expect a stunning show from The Secret Garden
by Ashley Martin
(read)

Love Actually is a warm and charming comedy
by Kent Farago
(read)

Master and Commander: a surefire Oscar hit
by Steven Kiser
(read)

Could Regina have done better?
by Cassie Ozog
(read)

Things that piss me off
by Dan MacRae
(read)

CD Reviews
(read)

FEATURES
A mosaic on campus
by Oliver Chang
(read)

SPORTS
Women’s basketball team sweeps top ranked Wesmen
by Chris Jaster
(read)

“Classic” game leaves classic memories
by Brad Brown
(read)

Men’s basketball team sweeps Wesmen
by Chris Jaster
(read)

Men’s hockey team steals a point from top ranked Golden Bears
by Alexis Vanbuskirk
(read)

OPINIONS
Stress of the season
Editorial
by Ashley Martin
(read)

Banjo-pickers throw good parties
Commentary
by Jason Antonio
(read)

Waygook in Korea
Angering her father
by Corry Day
(read)

Sex and the single girl
Projectile kitty vomit and men bashing
by Rachel Welychka
(read)

Dead at 18
Gone forever
by Matt Barton
(read)

The penis as a badge
by Justin Ludwig
(read)

Nokia N-Gage: fun but flawed
by Oliver Chang
(read)

Loud and Proud:
The Hidden Cameras live in concert
by Tim Smith
(read)

Leah Sharpe waxes poetic about the Good Food Box
by Leah Sharpe
(read)



Master and Commander: a surefire Oscar hit
by Steven Kiser
the Carillon

Ahh . . . tis the season for movies that are actually worth the price of admission. After patiently putting up with painful bedsores like Terminator 3 and Matrix: Revolutions, audiences around the world are being treated to the creme de la creme. Already being hailed as an Oscar favourite, Master and Commander: The Far Side of The World can only be described as one of the only movies this year that you actually should see, not because it is good, but because it is that damn good.

Suffice it to say, Master and Commander is Saving Private Ryan on boats, minus the human anatomy lesson and the Nazis. The fact that a nearly three hour movie about a bunch of guys sailing on big boats is able to captivate audiences says a lot. Then again, all the elements for a good movie are right there: a great cast, terrific set and costume design, and a plot that has yet to be matched this year.

From the meticulous set design of the British and French warships to the stunning performances put forward by the actors themselves, the entire film comes together as one flawless piece of art. The film, based on the books of the same name, takes place during the Napoleonic war. Captain Aubrey commands the Surprise, a British war vessel with orders to intercept the Acheron, a pearl in the French navy.

The story itself is wonderfully written. Instead of bending to the will of all the romance junkies out there and inserting a love story, the script is kept honest. The only female references in the entire movie are made about the ship. In fact, the only women in the movie have about a 10 second cameo. I am in no way saying that women shouldn’t be in movies, but it is refreshing to see Hollywood actually staying true to the time frame of the film for a change.

Russell Crowe, who plays Captain Aubrey in the film, could easily receive his fourth consecutive Academy Award nomination for this performance. The realism and grittiness portrayed by Crowe makes the appearance of a seasoned veteran seem not only believable, but accurate. His role as Captain Aubrey allows for a more humanitarian style than most characters Crowe plays, which allowed him to deliver what was undeniably the best performance in the movie: absolutely solid.

The remainder of the crew is made up of numerous British actors, who complement the movie perfectly. The talent varies from Billy Boyd, who played Pippen in The Lord of the Rings trilogy, to Paul Bettany, better known for his stage acting in Britain. The cast as a whole is probably the most surprising aspect of the movie. The chemistry between the group of actors is reminiscent of what a 19th century naval crew would have experienced.

Let’s face it: if a movie isn’t entertaining nowadays, people are not going to watch it. People are smart enough to know if they don’t like a movie. That is exactly how Master and Commander works; the fine folks responsible for the movie actually respected the audience for a change. Instead of force feeding a bunch of special effects and an entire cast of A-list celebrities, the executives relied on realism and talent. Who says a little can’t go a long way anymore?